BALANCHINE - THE FOUR TEMPERAMENTS
CURTAIN CALL
[All Images by DaveM]
The Four Temperaments: Darcey Bussell, Carlos Acosta, Marianela Nunez and Edward Watson
The Four Temperaments: Carlos Acosta, Marianela Nunez, Edward Watson and Isabel McMeekan
The Four Temperaments: Carlos Acosta, Marianela Nunez, Edward Watson, Isabel McMeekan and Valerie Kristov
The Four Temperaments: Viacheslav Samodurov, Darcey Bussell, Carlos Acosta, Marianela Nunez and Edward Watson
The Four Temperaments: Edward Watson, Isabel McMeekan, Valerie Kristov, Cindy Jourdain and David Makhateli
The Four Temperaments: Carlos Acosta, Darcey Bussell, Viacheslav Samodurov, Marianela Nunez and Edward Watson
Recent reviews in following links:
"Watson, all feet and hands, magnetic in his stage presence, made witty work of the phlegmatic variation."
Reviewed by Charlotte Higgins NEWSTATESMAN
"Edward Watson superbly mocking as Phlegmatic." Reviewed by Jenny Gilbert The Independent
"It brought a stunning interpretation of the phlegmatic variation from Edward Watson (his line, probing the limits of academic style, illuminates Balanchine’s forms)" Reviewed by Clement CrispFinancial Times
"Edward Watson looked shattered by this third work, having danced in all three, but his movement remained of the highest quality throughout. His solo with an especially sultry quartet of girls in The Four Temperaments showed a complete ease in the air." Reviewed by Dave PaxtonMusic OMH
[All Images by DaveM]
The Four Temperaments: Darcey Bussell, Carlos Acosta, Marianela Nunez and Edward Watson
The Four Temperaments: Carlos Acosta, Marianela Nunez, Edward Watson and Isabel McMeekan
The Four Temperaments: Carlos Acosta, Marianela Nunez, Edward Watson, Isabel McMeekan and Valerie Kristov
The Four Temperaments: Viacheslav Samodurov, Darcey Bussell, Carlos Acosta, Marianela Nunez and Edward Watson
The Four Temperaments: Edward Watson, Isabel McMeekan, Valerie Kristov, Cindy Jourdain and David Makhateli
The Four Temperaments: Carlos Acosta, Darcey Bussell, Viacheslav Samodurov, Marianela Nunez and Edward Watson
Recent reviews in following links:
"Watson, all feet and hands, magnetic in his stage presence, made witty work of the phlegmatic variation."
Reviewed by Charlotte Higgins NEWSTATESMAN
"Edward Watson superbly mocking as Phlegmatic." Reviewed by Jenny Gilbert The Independent
"It brought a stunning interpretation of the phlegmatic variation from Edward Watson (his line, probing the limits of academic style, illuminates Balanchine’s forms)" Reviewed by Clement CrispFinancial Times
"Edward Watson looked shattered by this third work, having danced in all three, but his movement remained of the highest quality throughout. His solo with an especially sultry quartet of girls in The Four Temperaments showed a complete ease in the air." Reviewed by Dave PaxtonMusic OMH
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